Monitor 5,5 inch Touchscreen
- Display: 1920x1080, 400 PPI, up to 15 33x33x33 14Bit 3D Luts; 178°H×178°V
- Multiple camera D-log Luts and User Lut
Designed for photographers, v-loggers, and content creators, Lilmon 5 HDR monitor doubles the brightness of typical entry level monitors to 1000 nits. It meets the minimum brightness requirement for outdoor shooting and seamlessly fits into a creative's workflow with its Swift OS touch screen, enhancing production efficiency.
Display Panel Designed for Outdoor Use
Lilmon 5 utilizes a dedicated 1000nits touch panel with low reflection, anti-fingerprint coating, and a high-efficiency backlight unit. This panel offers excellent outdoor visibility, 10-bit color precision, 1000:1 contrast ratio, standard D65 color temperature, and eliminates the need for a cooling fan. It ensures a crisp image for outdoor shooting, unlocking your creative potential in every situation.
Superb Image Quality
Lilmon 5 employs the same powerful color management engine as osee's high-quality field monitor. With 22 bits of internal processing, this color engine delivers precise color and tone rendering, enhancing fine shadow and skin tone details. Osee's HDR/LOG mapping technology accurately maps HDR/LOG signals from nearly all camera models to display panel, ensuring correct color and tone reproduction. Lilmon 5 also supports on-location calibration with X-Rite probes and osee specialized calibration software, guaranteeing color fidelity and preventing color drifting over time.
Nailing Frame
Lilmon 5 supports all Aspect ratios used in current capture formats, accommodates different Anamorphic lenses with flexible de-squeeze scaling, and provides framing checking tools like one-third rule Crosshatch, Safe area and Center.
Nailing Exposure
With Arri-style False Color tools supporting numerous camera gamma curves, precise exposure control is possible for various camera manufacturers, and custom false color can also be defined by lighting masters. The monitor includes an HD quality Waveform with adjustable density and a nits-based scale, enabling easy luma and color waveform checking similar to Davinci Resolve. Additional tools like Zebra, Vector Scope and Histogram are also provided.
Nailing Focus
The Peaking feature assists in focusing by increasing the image's "sharpness” to exaggerate contrast. It offers 10 levels of sharpness adjustment for clear visibility. The zoom function allows for magnification from 1x to 4x with precise 0.1 steps, facilitating focus checking on different parts of the image. Focus Assist marks areas in focus with different colors such as blue, red, and green, and the image can be switched to black and white for better visibility of the marks if needed.
Nailing Look
The De-log feature applies a standard color grade for different camera LOG/HDR profiles, while the User LUT function enables custom color grading on the signal. Up to 10 user LUTs can be uploaded to the monitor via an SD card. Lilmon 5 also supports User LUT intensity adjustment for precise control over the desired look.
Efficient Workflow for Field Applications
Swift OS offers multiple customizable Mysets that streamline crucial footage checking tasks such as framing, exposure, and focus checking. Switching between different Mysets designed for specific checks is as simple as a single swipe, eliminating the need to dig into menus while shooting.
Reliable Build for On Set Life
Despite its lightweight design, Lilmon 5 features a sturdy polycarbonate housing with a built-in aviation aluminum skeleton. The 1/4'' screw holes are reinforced with metal and paired with anti-rotation pin holes, ensuring reliability on set.
Versatile for All Shooting Scenarios
Lilmon 5 can be easily mounted on any camera configuration using its torque-adjustable tilt arm or other hot shoe mountings. It can be powered by a Sony NPF battery at the back or a V/AB mount battery via an optional DC to D-tap cable. Its compact size and light weight make it ideal for use with gimbals. Additionally, the camera can be powered by its battery through the DC out port.
Touch Display
Panel Size: 5.5inch
Aspect Ratio: 16:9
Resolution: 1920x1080
PPI: 400
Brightness: 1000nits
Contrast: 1000:1
Color Depth: 1.06G
Backlight: Edge lit
Viewing Angle: 178x178
Environmental
Body: Polycarbonate (with aluminum plate built-in)
Weight: 212g
Dimensions: 144.0mmx88.5mmx24.4mm
Mounting Points: 1/4”-20 anti-rotation screw mount, 1x bottom and 1x right
Operating Temp: 0-40℃
Power
Battery Type: Sony NP-F
Battery In: 6.2-16.8V
Battery Out: 5.0-8.4V
Consumption: 8.1W
Data I/O
Signal Input&Output: HDMI
Signal Format:
SD Card Slot: User LUT Upload&Firmware Upgrade (FAT32 format and under 16G size needed)
Audio Jack: 3.5mm
Remote Jack: 2.5mm (for color calibration)
Control
Backlight: Level 1-10
Volume: Level 0-31
Rotate/Mirror: Screen Rotate (0, 180, auto), Image Rotate (0, 180), Mirror
Probe Location: Set this to let exposure tools analyze before or after User LUT
Zoom: 1x-4x (precision 0.1x)
Frame Tools
Aspect: 9:16 (Phone), 4:5, 1:1, 4:3 (SD TV), 1.375:1 (Cinema), 16:9 (HD TV), 1.85:1 (Cinema), 2.37:1 (Cinema), custom(1:3 - 3:1)
Safe: Action&Title
Center: Cross/Hollow
Crosshatch: 2x2, 3x3 ... 9x9
Anamorphic: 1.33 x, 1.4 x, 1.5 x, 1.6 x, 1.8 x, 1.9 x, 2 x with magnify function
Exposure Tools
False Color: Spectrum/Follow camera/Custom
Zebra: Custom tone 1 and tone 2
Waveform: Luma/RGB/Parade style, size, location, opacity&density adjustable
Histogram: Luma/RGB style, location, opacity&density adjustable
Vector Scope: Location, opacity&gain adjustable
Focus Tools
Focus Assist: White, Red, Green, Blue，B&W background available
Peaking: Intensity 1-10
Look Tools
De-log
EBU
Gamma: GAMMA 2.2/GAMMA 2.4/HLG/PQ
Gamut: Rec709/Rec2100
DCI
Gamma: GAMMA 2.6
Gamut: P3 D65/PCI-P3
Arri
Gamma: El160/El200/El250/El320/El400/E500/El640/El800/El1000/El1280/El1600
Gamut: Rec.709/ALEXA Wide Gamut
BMD
Gamma: BMD Film/BMD 4K Film/BMD 4.6K Film
Gamut: BMD 4K Film/BMD 4.6K Film/BMD Pocket 6K Film
Canon
Gamma: C LOG/C LOG2/C LOG3
Gamut: Rec.709/Canon Cinema/Rec 2100/DCI-P3/DCI-P3plus
Fuji
Gamma: F-LOG
Gamut: Rec.709/F-Gamut
Nikon
Gamma: N-LOG
Gamut: Rec2100
Panasonic
Gamma: V-LOG
Gamut: Rec.709/V-Gamut
RED
Gamma: Redlogfilm/Log3G12/Log3G10
Gamut: Rec.709/DRAGONcolor/DRAGONcolor2/REDcolor2/REDcolor3/REDcolor4/REDWideGamut
Sony
Gamma: S-LOG/S-LOG2/S-LOG3
Gamut: Rec.709/S-Gamut/S-Gamut3/S-Gamut3.Cine/Rec 2100
User LUT: Up to 10 User LUTs (2x2x2 to 65x65x65 3D LUTs) can be uploaded, support LUT intensity adjustment
Audio Tools
Audio Meter: Location&opacity adjustable
Analysis Tools
Multi-scopes Waveform, histogram, vector scope and audio meter around scaled image